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References

Castillo, M. (2015), Electronic Dance Music Goes Mainstream As Older Millennials Start

      Listening. AdWeek, Google/YouTube Internal Data + Google Consumer Survey.

Calvin Harris. Instagram.

Eventbrite. (2014), EDM Audience Analysis. Mashwork

Eventbrite. (2014), Social DNA of EDM Fans. Mashwork.

Eventbrite Press Release. (2013), EDM By The Numbers; EDM Fan Behavior

      Differs Greatly From That of Other Music Fans. Marketwired.

Farella, D. (2015), Nielsen unloaded tons of data at EDMBiz. Dancing Astronaut, Fast

      Company. 

Forbes. (2013), The World's Highest-Paid DJs. From http://www.forbes.com/pictures/

      eeel45egemd/the-worlds-highest-paid-djs-6/

Fraser, A. (2012), The Spaces, Politics, and Cultural Economies of Electronic Dance

      Music. Geography Compass, 500-511.

Hook, J. (2014), Is The Utilization of Brand Advertising in Live Music Events “Selling Out” &

      Therefore Compromising Customer Satisfaction? University of Greenwich: Journal of Student           Research.

Hudson, R. Hudson, S. (2013). Engaging With Consumers Using Social Media: A Case Study

      of Music Festivals. International Journal of Event and Festival Management, Vol. 4 Iss:

      3, 206 – 223.

Kaskade. Instagram.

McCarthy, Z. (2015, May 25). Electronic Music Industry Now Worth Close to $7 Billion

      Amid Slowing Growth. Retrieved December 9, 2015, from https://Thump.Vice.com/en_au/             article/electronic-music-industry-now-worth-close-to-7-billion-amid-slowing-growth.      

McDonald, M. (2014, June 10). The Music Says My Soul. The Beat Says My Life:

      Electronic Dance Music Culture. Comm. Studies Department of Cal Poly Tech

      State University at San Luis Obispo.

SFX. (2015), Electronic Music, Technology & Youth Culture. Audience Insights Group.

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